2007. 2. 12. 20:20
Philosophy/마노비치 [뉴미디어의 언어]
The Language of New Media
Lev Manovich
The MIT Press, 2001
뉴 미디어의 언어
서정신 옮김
생각의 나무, 2004년
Lev Manovich
The MIT Press, 2001
뉴 미디어의 언어
서정신 옮김
생각의 나무, 2004년
In this book Lev Manovich offers the first
systematic and rigorous theory of new media. He places new media within
the histories of visual and media cultures of the last few centuries.
He discusses new media's reliance on conventions of old media, such as
the rectangular frame and mobile camera, and shows how new media works
create the illusion of reality, address the viewer, and represent
space. He also analyzes categories and forms unique to new media, such
as interface and database.
Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.
Lev Manovich is Professor of Visual Arts, University of California, San Diego. His book The Language of New Media (MIT Press, 2001) has been hailed as "the most suggestive and broad ranging media history since Marshall McLuhan."
Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.
Lev Manovich is Professor of Visual Arts, University of California, San Diego. His book The Language of New Media (MIT Press, 2001) has been hailed as "the most suggestive and broad ranging media history since Marshall McLuhan."
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